¶ "I began printing books with the hope of producing some which would have a definite claim to beauty, while at the same time they should be easy to read and should not dazzle the eye, or trouble the intellect of the reader by eccentricity of form in the letters. I have always been a great admirer of the calligraphy of the Middle Ages, and of the earlier printing which took its place." — William Morris
TagsBlackburn Museum Bloomsbury Auctions bookbinding British Library Buddenbooks Cantor Center for Visual Arts Christie's Clara Sturges Johnson Colin Smith Doves binding Duschnes Edward DeWitt Taylor Edward R. Taylor Emery Walker fine printing Francis W. Parker School Geoffrey Chaucer Germany Grolier Club Heritage Auctions Heritage Bookshop Houston Metropolitan Research Center Jean Hersholt Katharine Johnson Parker Kelmscott Press Library of Congress Lowell Roy Smith Mary Burt Brittan morocco bindings Parke-Bernet Peter Geraty Peter Harrington Books Philip Pirages Pigskin bindings Praxis Bindery Quarter-linen binding Quarter-linen bindings Rivière Robert Catterson-Smith Sangorski & Sutcliffe Sir Edward Burne-Jones Sotheby's Stanford University Swann Galleries Sydney C. Cockerell University of Maryland Wanda Smith Wilfrid Scawen Blunt William Morris William T. Parker
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Tag Archives: fine printing
[Originally posted 24 November 2015; most recent revision, 5 September 2016.] By coincidence, three copies of the Chaucer are coming up for sale next month (December 2015). (1) Swann, on 1 December (lot 140), will be offering a quarter-linen copy … Continue reading
A quarter-linen copy (Census, 3.177, 4.710) is listed for sale by Buddenbooks, Inc., Newburyport, Mass., for $115,500. Provenance: Robert Heysham Sayre, George Abrams.
Brian Johnson, son of Folger Johnson of Portland, Oregon [see this earlier post], has found the sales receipt for his father’s copy of the Chaucer from Philip C. Duschnes, 5 May 1945, for $950 (probably Census 4.400 and 4.412).
Sophia Bogle of Save Your Books has recently restored the Kelmscott Chaucer at Occidental College (Census, 2.162). She has made two videos of the book on YouTube, one before restoration and one after. Before: https://youtu.be/uxpV2Nu8AC8 After: https://youtu.be/nmL2nGfxo3g
Tom Riedlinger has recently sent us a scan of this portrait of Robert Catterson-Smith, a pastel painting by T. Murray Bernard Bladon in about 1920. It was for many years owned by the Central School of Arts and Crafts in … Continue reading
Tom Riedlinger has very kindly sent us this photograph and brief obituary of W. H. Hooper, who was Morris’s chief wood-engraver; they appeared in the Illustrated London News, 2 March 1912, p. 314. This is the text accompanying the photo: … Continue reading
Private collection, Portland, Oregon. Quarter-linen binding. There are no bookplates or other marks of previous ownership in the book. Provenance: Judge Folger Johnson (1914–1999), an anti-submarine U.S. Navy pilot during World War II who after law school became a lawyer … Continue reading